What I Read: January 2019
The Best School Year Ever by Barbara Robinson. I realized when reading this that I’d read this as a child. Funny enough I guess, but maybe not quite as much (nor as endearing) as the Christmas one.
Them: Why We Hate Each Other and How to Heal by Ben Sasse. He can be SO Luddite-sounding, even though he claims not to be. I had trouble with the first part of the book, I think he tries to reach everyone, but I don’t find it accurate, and I don’t think he should be making some of the claims he does without statistics. The end (the actionable part) is far more encouraging (similar to the other book, except that book was mainly actionable). One of the best parts (if not the best) is his highlighting and explaining the difference between civics and politics, something I hold to be highly important.
The Miracle Morning by Hal Elrod. This is good for motivation if you are in the right place for it. It could definitely lose some repetitiveness and be made into a booklet.
The Lost Art of Dress: The Women Who Once Made America Stylish by Linda Przybyszewski. This had interesting information, but quite frankly, I’m not sure what her point ended up being. I think her thesis was that a group of home economics educators played a pivotal role in universal American stylishness in the 1930’s-1950’s, but I find that quite a stretch. She didn’t include readership statistics of their books or participation in their courses. And this was such a small period of American history. Also, most of it wasn’t really a historical treatise but rather focused more on the “Dress Doctors” programs and advice. She doesn’t address the past style of American women for context, nor does she give a reason for the overall lessening of formality (which also applies to Europe, but we declined into outright slobbishness and trends, at least per the average person or fashion site). Also, America is so widely different, even now, you can’t honestly lump everyone together. The rural states had less need and less access to fashion as more urban states with wildly different lifestyles and incomes. She mentions very briefly the divide of the deep South farm girls and the New York city girls, but not very comprehensively. And she focuses so much on urban working women and university women (the later an especially tiny minority) without acknowledging wide differences to or their relative significance to the broader picture.
Fer-de-Lance by Rex Stout. I’m not crazy about these, so many ethical issues.
Some Buried Caesar by Rex Stout. I decided to try one more, but no.
The Corinthian by Georgette Heyer. I’d read two Heyer’s before, but while I enjoyed parts, they seemed to drag (also, both were apparently her Georgian novels, this one is Regency, more on that below). I started Regency Buck but couldn’t get into it, and I meant to try again later (I still do, but now our library doesn’t have it anymore). However, this one starts fast and is almost constantly hilarious. My love was dampened by the death and the poor taste response to it though. I gave this four stars.
The Grand Sophy by Georgette Heyer. This also starts fast and is hilarious. It also seems deeper and better writing-wise than the above. I gave this four stars. This one is also Regency.
The Convenient Marriage by Georgette Heyer. Hmm, I wanted to like this (there are some hilarious episodes), but Rule’s adultery. Pointless too, he didn’t care for the woman, he had no reason to be with her, and it’s especially awful that he is trying to woo his wife at. the. same. time. So many layers of NO. Also, as other reviewers pointed out, the heroine is blah. Which is too bad because she starts off so strong. The is Georgian, I could hardly bear the description of the ludicrous Georgian finery and silliness, and I know the period was decadent and immoral (the Regency and the Victorian periods were a reaction to it). One star for the adultery.
These Old Shades by Georgette Heyer. This is puke. Ugh. The age difference bothered me more here. Heightened by the constant epithet of “mon infant” and her servile, worshipful, constant “Monseigneur”-ing plus her overall worshipful attitude towards His Abominableness. More of the same Georgian decadence and shallowness. If I could give this less than one star and have it mean something, I would. Except heightened especially with being in France. I decided to take a Heyer break for a few weeks after this one.
Heartless by Anne Elisabeth Stengl. Interesting and fairly unique (to me) fantasy. I disliked the silly, shallow heroine though.
Gone Away Lake by Elizabeth Enright. Cute middle-grade story. Feels like The Boxcar Children.
Ella Minnow Pea by Mark Dunn. The residents of an island slowly lose their legal ability to speak. This is funny, although I feel like I probably missed a lot of the jokes.
The White Stag by Kate Seredy. Um, no, I don’t want a stupid, contrived (felt very copy paste as did the illustrations which were an odd mix of old West, Greco-Roman, and who knows what else), fantasy story about an extremely violent historical person.
The Awakening of Miss Prim by Natalia Sanmartín Fenollera. Interesting conception in parts, annoyingly stock Darcy/Knightly/Rochester trope. Silly heroine who doesn’t have any believable or developed change, much less awakening. Unexpectedly Christian.